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- Who's afraid of the neo-avant-garde? ##- The crux of minimalism ##- The passion of the sign ##- The art of cynical reason ##- The return of the real ##- The artist as ethnographer ##- Whatever happened to postmodernism?

Aesthetics --- Avant-garde (Esthétique) --- kunst --- kunsttheorie --- esthetica --- cultuurfilosofie --- kunst en politiek --- minimalisme --- minimal art --- antropologie --- etnologie --- etnografie --- postmodernisme --- 7.01 --- Art criticism --- Art, Modern --- Avant-garde (Aesthetics) --- History --- Modernism (Art) --- Affichistes (Group of artists) --- Fluxus (Group of artists) --- Schule der Neuen Prächtigkeit (Group of artists) --- Zero (Group of artists) --- Art styles --- Aesthetics of art --- anno 1900-1999 --- Critique d'art --- Avant-garde (Esthétique) --- Art --- Histoire --- departement Beeldende Kunst 08 --- kunstkritiek --- avant-garde --- esthetiek --- moderne kunst --- CRITIQUE D'ART --- AVANT-GARDE (ESTHETIQUE) --- ART MODERNE --- 20E SIECLE

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"Brings together historians, philosophers, critics, postcolonial theorists, and curators to ask how images, pictures, and paintings are conceptualized. Issues discussed include concepts such as "image" and "picture" in and outside the West; semiotics; whether images are products of discourse; religious meanings; and the ethics of viewing"--Provided by publisher.

Aesthetics --- Art --- Image (Philosophy) --- Aesthetics. --- Image (Philosophie) --- Esthétique --- Philosophy --- Philosophy. --- Philosophie --- kunst --- semiologie --- 7.01 --- kunst en technologie --- kunst en wetenschap --- kunst en religie --- semiotiek --- waarneming --- perceptie --- fotografie --- kunsttheorie --- esthetica --- schilderkunst --- Esthétique --- Beautiful, The --- Beauty --- Art and philosophy --- Esthetics --- Taste (Aesthetics) --- Criticism --- Literature --- Proportion --- Symmetry --- Analysis, interpretation, appreciation --- Psychology --- PHL-Research 13 --- kunst en filosofie --- esthetiek

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Cet ouvrage constitue la première monographie importante consacrée à l'oeuvre de Giuseppe Penone, l'un des représentants les plus remarquables de l'Arte povera. Outre la beauté des formes et des matériaux, son travail de sculpteur se caractérise par la force des interrogations qu'il suscite sur la nature et sur l'homme. L'artiste révèle le rythme présent au coeur du cycle naturel de la vie, et l'empreinte du temps sur les êtres et les choses.

Penone, Giuseppe --- Art and nature --- Art et nature --- Kunst en natuur --- Nature (Aesthetics) --- Nature (Esthétique) --- Nature dans l'art --- Nature in art --- Natuur (Esthetica) --- Natuur in de kunst --- 73.07 --- Beeldhouwkunst ; installaties ; 1968-2012 ; G. Penone --- Penone, Giuseppe °1947 (°Garessio, Italië) --- Arte Povera --- Land Art ; landschapskunst ; omgevingskunst --- Beeldhouwkunst ; beeldhouwers A - Z --- Installations (Art) --- Italy --- Conceptual art --- MAD-faculty 12 --- beeldhouwkunst 20e eeuw-21e eeuw --- Italiaanse kunstenaars 20ste eeuw --- Sculpture --- Sculptors --- Sculpture, Italian --- Penone, Giuseppe. --- Arte povera --- Dessin --- Penone, Giuseppe, 1947 --- -73.07 --- -Sculptors --- -Arte povera --- -Sculpture

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Delving into the intersections between artistic images and philosophical knowledge in Europe from the late sixteenth to the early eighteenth centuries, The Art of Philosophy shows that the making and study of visual art functioned as important methods of philosophical thinking and instruction. From frontispieces of books to monumental prints created by philosophers in collaboration with renowned artists, Susanna Berger examines visual representations of philosophy and overturns prevailing assumptions about the limited function of the visual in European intellectual history. 

Rather than merely illustrating already existing philosophical concepts, visual images generated new knowledge for both Aristotelian thinkers and anti-Aristotelians, such as Descartes and Hobbes. Printmaking and drawing played a decisive role in discoveries that led to a move away from the authority of Aristotle in the seventeenth century. Berger interprets visual art from printed books, student lecture notebooks, alba amicorum (friendship albums), broadsides, and paintings, and examines the work of such artists as Pietro Testa, Léonard Gaultier, Abraham Bosse, Dürer, and Rembrandt. In particular, she focuses on the rise and decline of the "plural image," a genre that was popular among early modern philosophers. Plural images brought multiple images together on the same page, often in order to visualize systems of logic, metaphysics, natural philosophy, or moral philosophy.


Art and Philosophy --- Aesthetics, Modern --- Visual communication in art --- Art, Renaissance. --- Art, Modern --- 930.85 "15/17" --- 1 "15/17" --- 1 "15/17" Filosofie:--Moderne Tijd --- Filosofie:--Moderne Tijd --- 930.85 "15/17" Cultuurgeschiedenis. Kultuurgeschiedenis--Moderne Tijd --- Cultuurgeschiedenis. Kultuurgeschiedenis--Moderne Tijd --- Art, Renaissance --- Renaissance art --- Art --- Aesthetics --- Philosophy and art --- Philosophy --- History. --- History --- Philosophie et art --- Esthétique --- 76:655.5 "15/17" --- 76.049 :1 --- 655.533 --- 655.533 Boekillustratie --- 655.533 Book illustrations. Pictorial matter in books --- Boekillustratie --- Book illustrations. Pictorial matter in books --- Philosophy and psychology of culture --- Painting --- anno 1600-1699 --- anno 1700-1799 --- anno 1500-1599 --- anno 1500-1799 --- philosophy --- visual literacy --- philosophy of art --- pictorial views --- visual aids [education tools] --- visual culture --- MAD-faculty 18 --- kunst en filosofie --- kunstgeschiedenis --- visuele cultuur --- Europa --- Philosophie et art. --- Art and Philosophy - Europe --- Aesthetics, Modern - 17th century --- Aesthetics, Modern - 18th century --- Visual communication in art - Europe - History --- Art, Modern - 18th century